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Posts Tagged ‘U.S.-Japan Innovators Network’

Innovators Network member and anime scriptwriter Dai Sato was in New York to give a two-week summer immersion workshop for high school students at Japan Society.  Dai took some time out of his busy schedule to talk with Japan Society about his creative process.  In this video,   Dai muses about his “dream script,” discusses new features in Eden of the East, an anime series as of yet unreleased in the U.S., touches on the influence of authors Philip K. Dick and Haruki Murakami on his work, offers advice for future scriptwriters, and explains a few of the perception gaps between American and Japanese viewers regarding the TV series Ghost in the Shell: Stand Alone Complex. 

Dai’s scriptwriting credits also include Cowboy Bebop, Freedom, and Wolf’s Rain.

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The Five LawsInnovators Network member Hiroshi Tasaka’s poetic The Five Laws to Foresee the Future: 12 Paradigm Shifts that will Happen in the Future of Human Society  (未来を予見する「5つの法則」) is out in English.  Tasaka-san’s philosophical insights into the future of work, life and society make for rivetting reading. For those who may have missed it, Tasaka-san gave a talk at a joint Japan Society- New School forum, “Beyond Web 2.0: How Technology will Change the World.” 

 

 

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This wonderful video is based on a retreat we held in the Fall of 2007 titled Invigorating Communities, Designing for Inclusion. The video was created by BAYCAT Studio, where Innovators Network member Villy Wang serves as the President and CEO. Enjoy!

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Project Row Houses

Project Row Houses

I’m standing on the corner of Smith and Elgin, not far from Houston’s Third Ward. It’s May but with the heat and humidity it might as well be August, so I’m relieved when Tim Martinez pulls up, and I slip into his air-conditioned car.

Tim’s the Director of Development/PR at Project Row Houses (PRH), a neighborhood-based art and cultural organization located in Houston’s Northern Third Ward, one of the city’s oldest African-American communities.

PRH founder Rick Lowe, artist, community activist and member of the U.S.-Japan Innovators Network, was one of four Americans who participated in Invigorating Communities, Designing for Inclusion in November 2007. The two-day retreat in Kyoto brought together architects, urban planners, and leaders in culture and civil society from the United States and Japan to share ideas on urban revitalization, social inclusion, the role of arts and culture in stimulating local economies.

In Kyoto, Rick gave a compelling presentation on PRH, explaining how the organization was established on the site of 22 abandoned shotgun houses, on the principle that art and the community it creates can be the foundation for revitalizing depressed inner-city neighborhoods. This principle was is in part based on the philosophy of German artist Joseph Beuys (1921 – 1986) who coined the phrase “social sculpture,” which transformed the idea of sculpture as an art form into a social activity.

Business has brought me to Houston, and I am eager to see PRH for myself.

As Tim and I cross over Freeway 288 into the heart of the Third Ward, he explains how home owners there have successfully staved off the condo developers that seem to have overtaken much of the city. “People decided the Third Ward is not for sale,” he says.

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The Third Ward was once a center of African American culture in Houston, with Dowling Street at its hub. We pass the Eldorado Ballroom, an unassuming art deco building that as a night club played host to the likes of BB King, Count Basie and numerous other blues and jazz luminaries until it closed in the 1970s. PRH renovated the ballroom and reopened it in 2003 and continues to make improvements.

We park in the shade under a large tree across the street from a row of white, single-storey wood buildings. These are some of the 22 row houses PRH uses for art installations and studios, as well as for their artist-in-residence program.  Seven of the buildings are used for PRH’s Young Mothers Residential Program, where single mothers 18-26 live in fully furnished updated row houses while receiving mentoring and finishing their education, Tim explains.

Crossing the street, we step into a two-story brick building, a former grocery store which now serves as PRH’s office. The first floor is used as gallery space.

Upstairs, I meet Cheryl Parker, PRH’s Executive Director. On this particular day, Rick Lowe is in Washington DC. He’s been invited to the White House to talk about the role of art in fostering community revitalization, Cheryl explains.

I ask Cheryl what of PRH’s current projects she find most exciting, and she immediately replies, “Home. Space. Place.” The exhibition, or “round” as she and Tim call it, comprises works by eight artists on the themes of home, identity, culture, struggles and perseverance, she says. PRH holds two major rounds a year, as well as a special program in the summer engaging local college students.

Tim and I step outside and in a few feet we are on the porch of the nearest shotgun house. Inside, I am amazed at how small it is.

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It’s really one room, with a door at the front and a door at the back. One, sometimes two, families lived in these spaces, Tim says. This house is being used as a gallery by artist-in-residence Andres Janacau, a student at the Glassell School of Art, he says.

The next several houses are being used as art installation spaces for “Home. Space. Place.” “It’s one house per artist,” Tim explains. “We want the artists to think of the houses as a blank canvass.”

In one house, the main space has been divided into several small rooms. The walls in one room have been papered over with red photocopies of a letter written by the artist’s grandmother, describing the effects of Hurricane Betsy fifty years ago.

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In another room, the same artist, Rashida Ferdinand, has covered the walls with sand and broken glass, echoing the destruction brought by hurricanes.

In another house, artist Lisa Qualls has strung clothes lines draped with white linen from wall to wall. “The idea here was to collect clothes line stories from local people” Tim explains – stories relating to hanging washing out to dry.

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In a third house, Cynthia Giachetti has created a ceramic quilt, reflecting the artist’s interest in preserving and protecting community.

We head back outside and Tim points out a series of new two-storey duplexes. Designed by Rice University architecture students, the clapboard houses echo the best qualities of shotgun houses and are being leased to families at affordable rates by Row House CDC, a spin-off from PRH which focuses on economic development in the Third Ward.

I ask Tim about future plans for expansion. “CDC is planning to do another development of duplexes about a mile away from here,” he says, as we make our way back to the office for a glass of water and much-needed respite from the heat.

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Eight of the 24 families that have moved into the current duplexes include artists as family members, which has helped new-comers engage in the community. “They wanted to be here because they wanted to be part of the community,” he says.

Our tour complete, Tim is kind enough to give me a ride back to my hotel.

Note to anyone traveling to Houston: Home. Space. Place. continues through June 21.
(Daniel Rosenblum)

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雑誌ファースト・カンパニーの共同創立者アラン・ウェバーの新著が本日発売されました。英語のタイトルは Rules of Thumb: 52 Truths for Winning at Business without Losing YourselfRules of Thumbの直訳は親指の法則ですが、通常、経験則と訳されます。オンラインで検索するとgoo辞書には語源に関して、下記の解説が出ていました。

Rule of Thumb: 経験則{けいけんそく}、経験{けいけん}に基づいて得られた法則{ほうそく}◆ 【語源説-1】大人の親指(thumb)の関節間の長さが約1インチであるため、大まかに長さを測るときに用いられた。◆【語源説-2】昔、ビールの醸造業者がビールの温度を測る際に、親指をチョットつけてみた。この方法は衛生的でなく、温度計ほど正確でもない。しかし、醸造業者の長い経験に基づいたものであるから、それなりに正確である。

副題は「自分を失わずにビジネスで勝つための52の真実」。。。。。ハーバード・ビジネス・レビューの編集者を経て、45才のときにパートナーとイノベーション、起業家論をテーマとした新しいタイプの雑誌ファースト・カンパニーを立ち上げたアラン。新著には約40年間にわたるキャリアから導き出した52の「智恵」が満載されています。

明日22日、当協会で行われる新著の出版記念講演会に先立ち、3月で行われたオンライン・インタビュー(英語ブログ)の一部日本語にしました。

Q:このような本を書くことになった動機を教えてください。昨年秋の金融危機以来、今までのビジネスの経験則が全く通用しなくなっている中で今回の本は非常に良いタイミングで出版される気がしますが。。。。

A:この本を書くことになったのは、ほとんど偶然の産物で少しだけ先見の明があったと言えるかもしれません。一年ほど前に大企業のCEOと重役50人を前にスピーチをしたときに、プログラムの最後にCEOが出席者全員に「今の米国で道徳的権限を持っている人は誰か?」と問いかけました。そこで皆シーンと静まり返ってしまったのです。きっとみんな頭の中でデータ検索をしてビジネスの世界、政府、宗教で一体だれが当てはまるか考えたと思うのですが、だれの名前もでてこなかったのです。そのときに私は、明晰なものの考え方や、究極的には仕事と生きるための新しいルールを生み出すための源が必要だと思ったのです。そう思った途端に私は、過去30数年にわたり - オレゴン州ポートランドで働いていた時代、ハーバード・ビジネス・レビューやファーストカンパニー誌時代、そして今わたしは自称「グローバルな探偵」として活動しているのですが - 貯めてきた記事、スピーチ原稿、エッセーが詰まっているファイルを見直しはじめました。そして私は今までに出会った卓越した人々と一緒に働き学んだことをまとめあげ、この本にしたのです。「経験則」がこの本のバックボーンとなっています。この時代が来るのをなんとなく予測していてこの本が生まれたという言い方もありますし、このような時代だからこそこの本が生まれたともいえます。

Q:ポスト情報化時代では、コンテンツではなくコンテクスト(文脈)の方が重要であるといっていますが、一方で新しいリアリティは新しいカテゴリーを必要していると書いてあります。過去数ヶ月の間に、世界経済が突然大きく変容し、コンテクストが変わってしまいましたが、このことがイノベーションや新しい価値の創出にはどのように影響を与えるのでしょうか?

A:過去30年を振りかえっても、米国そして世界でこれほど対話が求められている時代はないかと思います。旅行をすると、-一番最近では私はデンマークを訪れたのですが-人々が、昔からの問題をどのような新しい方法で解決できるかを話したがっているかがよくわかります。今までのやり方には制限されない方法により問題を解決しようと思っているのです。今ビジネス・イノベーションの世界では、また、ソーシャル・イノベーションの世界でもいえるかと思いますが、新しい方法で働き、生き、人生の意味を見出そうとしている動きがでてきていると思います。

Q: 経験則41では、「もしも本当のリーダーになりたいのであれば、本気でリーダーになることに取り組め!」とありますが、今日のリーダーに一番欠けている重要な素質は何ですか?

A:過去30年の間で、私のビジネス関係のメディアに対しての批判というのは、特にビジネスの世界で、偽りのイメージのリーダーを崇拝する傾向をつくった点です。有名人と同等に扱うような文化が生まれてしまったのです。もしもCEOが権力を持ち、お金持ちになり、有名になれば、それで十分だという考え方です。私がいままで一緒に仕事をしてきて一番印象に残っているリーダー達は、名声には全然興味がありませんした。彼らは、まず第一に自分たちの部下、次に組織、そして果たそうとしている使命に対して非常に忠実です。人生の中で私達は、自分のことしか考えていないリーダーと、協力してともに働こうというリーダーの違いを目の当たりにします。特に、金融危機(そしてこの金融危機は、名声とお金しかないリーダーのせいで起きたともいえます)と、世界的な社会・環境問題から同時に回復しようとしている中で、私達は全く違ったスタイルのリーダーを受け入れる必要があります。私は新著の中で、途方もないナルシストではなく、強力でしかも健康的なエゴをもったリーダーについて書きました。すべての問いに対する答えを持っていると思っているリーダーではなく、正しい質問を聞く術を持っているリーダー達です。自分がどんな集まりの中でも、自分が一番頭がいいと思っているのではなく、才能のあるチーム・メートをまとめ上げる力を持っているリーダーです。私達は往々にして、自分の最大の才能を引きだすことができるリーダーと、肩書きだけはあるのに、ちっとも正しい仕事ができないリーダーの両方のタイプのために仕事をしたことがあるかと思います。

Q私の好きな経験則は50番の「上昇線のときには、自分の強みに注意を払い、下降線のときには弱点に注意を払う。」このことは人、企業、産業、国すべてに当てはまることができるかと思います。現在の米国経済を鑑みて、オバマ大統領にはどんなアドバイスがありますか?

A:オバマ大統領にアドバイスを聞かれていないのですが、彼はコミュニティ・オーガナイザーのときにこの経験則についてはすでに学んでいるかと思います。コミュニティ・オーガナイザーというのは、自分よりも巨大で、資金力があって、強い敵対者の強みを逆手にとった政治的柔術の使い方を学びます。ですからオバマが米国の問題を解決するために国民に伝えていることは、昔からの価値を思い出させることです。自分の行動に責任を取り、真実を語り、憲法と法を遵守する。そのような米国の強みが無視され、あるいは輝きがなくなってしまい、弱みになってしまったと信じている人々がオバマ大統領のメッセージに共鳴するのは、本来の米国のあり方を思い出させるからです。国であろうと会社であろうと、自分たちの価値を知ることは、再建のためにとても重要なことです。物事を変える余地があるかないかを知ることが大事なのです。というのは、核の部分というのは変えることができません。書き直すことができないルールというのはあるのです。しかし残りの部分つまり問題解決の方法、新しい政策の立案、新しい製品やサービスの開発、物事が先に進むためのルールといったことは議論の余地があるのです。

アランの英文でのインタビューはまだ続きます。続きは、折をみて日本語に訳す予定です。アランの話はとっても面白いので明日の講演会が楽しみです! (Fumiko)

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may_12

U.S.-Japan Innovators Network Lecture @ Japan Society

Tuesday, May 12, 6:30 PM

Imagine a world where everyone has access to water, housing, health services and energy. That is the goal of Jacqueline Novogratz, a member of the U.S.-Japan Innovators Network. In 2001, Novogratz started Acumen Fund, a non-profit global venture fund that uses entrepreneurial approaches to solve global poverty. Join us in celebrating the launch of her new book The Blue Sweater, which follows her transformation from a young idealistic woman working in Africa to one of today’s most inspiring social entrepreneurs.

Moderated by Justin Rockefeller, Co-founder, GenerationEngage.

Followed by a reception and book signing.

Tickets
This event is free, but you must register in advance.

Please send your name, affiliation and contact information by e-mail to innovators@japansociety.org.

If you have any questions, please call the Innovators Network at 212-715-1243

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april_22_pic1U.S.-Japan Innovators Network Lecture
Wednesday, April 22, 6:30 PM @ Japan Society

* Rule #14 You don’t know if you don’t go.
* Rule #23 Keep two lists: What gets you up in the morning? What keeps you up at night?
* Rule #37 All money is not created equal.
* Rule #45 Failure isn’t failing, failure is failing to try.

In his new book, Rules of Thumb: 52 Truths for Winning at Business without Losing Yourself, Alan Webber stimulates, inspires, challenges and helps us understand what makes for a life well-lived and work well-done. Co-Founder of Fast Company magazine, award-winning business journalist and a member of the U.S.-Japan Innovators Network, Mr. Webber reflects on 40 years of experience as observer, participant and agent provocateur, illuminating 52 rules of thumb on what it takes to innovate and lead in these extraordinary times. Whether you’re a social entrepreneur, a start-up, an established business leader or just plain curious about how to make the most of your life in these crazy times, 52 Rules of Thumb is the book for you.

Followed by a book signing and reception.

Tickets
$10/$8 Japan Society members/$5 students & seniors

Buy Tickets Online or call the Japan Society Box Office at (212) 715-1258, Mon. – Fri. 11 am – 6 pm, Weekends 11 am – 5 pm.

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97800617218303In his new book, Rules of Thumb: 52 Truths for Winning at Business without Losing Yourself, Alan Webber stimulates, inspires, challenges and helps us understand what makes for a life well-lived and work well-done.

Reflecting 40 years of experience as observer, participant and agent provocateur, Alan has gathered 52 gems of wisdom on how to lead and innovate in these extraordinary times.

I recently caught up with Alan in cyberspace to talk with him about his new book.

Q: It seems your book is well timed, as it’s abundantly clear the old rules of thumb for business are no longer working.  Inspirational serendipity or calculated marketing?

A: Mostly serendipity–with a dash of foresight. The idea for the book began with a talk I gave a little more than a year ago to the CEO and top 50 executives of a large company. At the end of the formal program, the CEO asked his team, “Who in the United States has moral authority?” There was a long uninterrupted silence. You could see people going through their mental Rolodexes: who in business? who in government? who in organized religion? No one came up with a name. It made me reflect on how much we need new sources of clear thinking–and how, ultimately, we are all going to have to generate our own new rules for work and life. That realization sent me back to my files where I’ve kept articles, speeches, and essays that I’ve written over the last 30-plus years–working in Portland, Oregon, at the Harvard Business Review, at Fast Company, and more recently as a self-defined “global detective.” I was able to crystallize a set of rules that I’d learned from a remarkable group of men and women with whom I’d worked. Those rules form the backbone of Rules of Thumb. So you could say that I saw this current disconnect coming–or you could say that I’m a product of it. Both are true.

Q: You talk a lot about context trumping content in the post-information age. You also say new realities demand new categories. How do you think sudden shifts in context we’ve had in the global economy over the last year will play out in driving innovation and creating new value?

A: I can’t remember a time in the last 30 years when the United States and the world are as ready for a new conversation. Where ever I travel–most recently to Denmark–people are eager to talk about new ways of solving old problems. They’re looking for solutions that aren’t confined to our old categories. In fact, many people agree with my statement in the book that our old categories often allow the problems to persist: the problems have learned how to live in the cracks of our categories. None of this will be easy; old habits, including habits of mind, die hard. But I think you can find examples around the world of business innovation–and perhaps more important, social innovation–that will produce fresh ways for people to work, live, and find meaning in their lives.

Q: You mention books like “In Search of Excellence” (1982) by Tom Peters and Bob Waterman, and “Good to Great” (2001) by Jim Collins. If business leaders have been keen to read these books and hear these people speak, why don’t they seem able to follow their advice?

A: I know plenty of business leaders (and leaders in government and non-profit organizations) who take very seriously the good ideas presented by these two books and many others that offer advice and counsel to people trying to lead their institutions. But inspiration is easier than application: as you know from my book, one of the rules is “Knowin’ it ain’t the same as doin’ it.” Reading advice and following it are two entirely different things. That’s one of the reasons I structured RULES the way I did. I believe that change comes from within–from things we come to terms with as individuals, whether in business or daily life. By sharing some of my own experiences, describing the lessons they’ve taught me, and suggesting that everyone of us is capable of paying attention to the people we meet, the experiences we have, and the rules we learn, I hope to provoke readers to become both committed learners and their own best teachers. Once you embrace something that you’ve discovered yourself, you’re much more likely to apply it.

Q: Rule #41 says “If you want to be a real leader, first get real about leadership.” What are the most important qualities of leadership that are lacking in leaders today?

A: One of my criticisms of the business press for the last 30 years is that it tends to worship at false images of leadership, especially in business. We’ve become a culture of celebrity. If a CEO gets big enough, rich enough, and famous enough to qualify as a leader, that’s enough! The leaders I’ve worked with and who I admire most were never motivated by fame or celebrity. Their first allegiance was to the people they were leading, to the organization they all were part of, and to the mission they were trying to achieve. We all know the difference in our own lives between working for a leader who’s all about themselves and a leader who’s all about the work we’re doing together. Particularly as we simultaneously try to recover from this devastating economic collapse (caused in large part, I would argue, by the first kind of leader, the ones who were only out for the glory and the money) and to solve pressing national and global social and environmental problems, we need to embrace a different style of leadership. (By the way, I’m promoting a new national “day”: Celebrity-Free News Day, I call it. Imagine a day when the news wouldn’t have a single celebrity story! Who’s with me on this?) In RULES I write about leaders who have strong and healthy egos, but who aren’t raging narcissists–who know how to check their egos at the door. Leaders who know how to ask the right questions, rather than assuming that they have all the answers. Leaders who bring together a talented team, rather than presuming to be the smartest person in the room–in any room! I think we’ve all worked with leaders who know how to bring out the best we have to offer, and leaders who have the title but not the feel for doing the job the right way.

Q: One of my favorite rules is #50: “On the way up pay attention to your strengths; they’ll be your weaknesses on the way down”. You say this can be true of people, companies, industries, – even nation states. Given the current state of the U.S. economy, what advice do you have for President Obama?

A: Well, so far President Obama hasn’t asked for my advice! But I suspect he may have already learned this rule from his work as a community organizer, in part: one thing community organizers learn how to do is to practice the art of political ju-jitsu where you use the strengths of your larger, richer, stronger opponent against them. That may be why so much of his communication about solving America’s problems focuses on reminding us of our time-honored values: taking responsibility for our actions, telling the truth and respecting the rule of law and the Constitution. For those who believe that we’ve allowed our strengths to become weaknesses by ignoring them or allowing them to lose their luster, part of President Obama’s message that resonates is a reminder of what America has traditionally stood for. Whether you’re a country or a company, knowing your values is a critical place to start any re-building process. You have to know what is negotiable, and what is not. The core isn’t negotiable–those are rules that don’t get re-written. The rest–how to solve problems, create new policies, develop new products and services, and the rules that can help you do those things–all that is up for debate.

Q: Rule #28 states: “Great design wins.”  How does design relate to quality and making things work?

A: Great design has to work or it isn’t design, it’s just decoration! It doesn’t matter whether you’re talking about the design of a product or service design, winning in the world of competition means using design not only to delight the eye or enhance the experience but also to produce genuine quality and outcomes that work. One company I mention in RULES is OXO, one of the best designers of kitchen products. Their stuff looks great and has excellent quality–but they begin their designs by looking for ways to make something as mundane as a vegetable peeler flat out work better. Fit your hand better, clean easier, and peel better. By the way, one tip I heard in Denmark on my last trip–and the Danes, like the Japanese, think they’ll compete in the future on the quality of their design–is to be aware of service design. As services become a larger and larger part of the economy, we need to be applying the rules of design to the service sector. The companies that do it sooner and better will gain real advantages with customers, who care about their service quality as much, or more, as they do about product quality.

Q: In rule #5 you state: “Change is a math formula.” In other words, change happens when the cost of the status quo is greater than the risk of change. Do you think we’ve reached that point in history on a global scale?

A: No question about it. All over the world in my travels, I encounter people who are willing to try new things. They see the status quo as an impediment to innovation and the search for solutions that work to address problems that matter. At the same time, we’re all still human–and with that comes an attachment to the ways of working and living that we’ve grown comfortable with. Letting go is still hard. But as the severity of our problems increases and the inability of existing institutions and categories to produce viable results becomes more apparent people are looking for new directions and new approaches. I don’t want to pretend that change is fun and easy. But there comes a time when you have to let go of whatever you’re clutching–because it’s an impediment to finding something better. You can see this happening in a wide variety of issues and problems, public and private, around the world. I just read a quote from Sir Howard Stringer, Chairman and CEO of SONY, who said, “What this recession has done is expose the weaknesses in our system that we didn’t want really to admit.” That’s the cost of the status quo suddenly being greater than the risk of change.

Q: Throughout your book, you stress the importance of passion and loving what you do. In rule #39 you talk about how “serious fun” isn’t an oxymoron; rather, it’s how to win. And rule #1 Rule dictates that “When the going gets tough, the tough relax”. How do you teach attitude?

A: This takes us back to your earlier question about leadership. One of the things that real leaders do is to set an example through their personal conduct and their ways of doing business. There are still too many leaders who think that the way to motivate people is through fear. It doesn’t work, it’s never worked, and in a knowledge economy it never will work. People in organizations want to be challenged, they want to be inspired, they want to be given a chance to contribute and to grow–but I don’t know anyone who wakes up in the morning eager to go to work with the idea, “I can’t wait to be intimidated and humiliated today!” So if you’re a leader, your job is to create an environment where people can do their best work. That doesn’t mean you can’t criticize people when they need to have a mistake pointed out–actions do have consequences. But overall, smart and talented people want to work in a place where they can do their best work and feel like it makes a difference. So, to answer your question, if you’re a leader, the best way to teach attitude is to embody it yourself. And if you’re trying to lead from below, the best way to teach attitude is to show the boss how you want to be lead. You can, after all, lead up!

Q: Rule #9 says “Nothing happens until money changes hands.” This rule seems counter to some of the more idealistic rules in your book. Is money always necessary for innovation to occur?

A: This was a rule I learned in my own experience as an entrepreneur, trying to start Fast Company magazine. And it’s a cautionary rule. I know so many smart, energetic, idealistic entrepreneurs who seem to think that their ideas are all they need–that somehow the market will discover them and reward them simply for thinking innovative thoughts. But it’s not an innovation unless it actually gets to the market–until it gets to the market it’s just an idea. The hard truth is, if you want your idea to become an innovation, you’ll need to find the money to make it happen. As I say in the book, entrepreneurs need to have a sign on their desks, “The buck starts here.”

Q: You’ve been a Japan Society U.S.-Japan Society Leadership Fellow and also involved with the U.S.-Japan Innovators Network. How important a role has Japan played in the formulation of your 52 rules?

A: I’ve benefited enormously from being a part of the Japan Society, and the book reflects those benefits. There are rules that come directly out of my experiences with the Japan Society, but even more important is the human network that I began to learn from my Japan Society fellowship and that is the real source of the 52 rules. Behind almost every rule is a person or experience; that awareness of the way our lives interconnect was something my first introduction to the Japan Society impressed on me. So there are specific rules (and people will have to read the book to discover them), specific people, and also the general principle that I trace back to the many years of involvement I’ve had with the Japan Society.

Q: Rule #10 in your book states “A good question beats a good answer”. How’d I do?

A: Daniel, you’ve always asked good questions! That’s one of the reasons there’s an Innovators Network today! We should do this again–it’s always more fun, more engaging, and more valuable to have someone asking great questions!

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Rules of Thumb: 52 Truths for Winning at Business without Losing Yourself, published by HarperCollins, hits bookstores April 21.

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Today, we had the opportunity to meet with Kashiwa Sato, an amazing designer who is known for his work with Uniqlo, among other clients.

We learned about what has to be one of the most brilliantly designed schools in the world—Fuji Kindergarten. Sato-san is responsible for the concept for the school, which he developed closely with the architect, Takaharu Tezuka, and the headmaster of the school.

Situated on a large piece of land with many trees, the school is shaped like a donut. The roof is a playground, with a slide that goes from the roof to the floor of the donut hole. Classrooms, with glass sliding doors on both the inner and outer ring of the donut and an occasional tree in the middle of the class (they made every effort to not cut down the trees), make up the solid part of the donut. The donut hole serves as meeting space—an outdoor auditorium. Sato-san even designed t-shirts for the kids.

The 500-student school has been so successful that it has had no problem recruiting excellent teachers. However, it has had the problem of an unusually large number of visitors who want to see how design can, and has, transformed the educational experience of children. It’s every parent’s dream school.  (Betty)

Kawashi Sato (Left), Max, Casey, Valerie, Ruri and Interpreter

Kawashi Sato (Left), Max, Casey, Valerie, Ruri and Mariko (Interpreter)

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Max, Valerie, & Casey

Max, Valerie, & Casey

Design + Community + Social Impact The Latest from GOOD Magazine and IDEO

1:55 pm – The conference hall at Midtown is filling up. Most of the audience looks to be under 30 – designers, students, people interested in sustainability. What is social design? That’s the title of the first session and we’ll be hearing from Max Schorr of GOOD Magazine.

2:10 The conference gets off to a start with welcoming remarks from JIDPO (Japan Industrial Design Promotion Organization) Project Department Director Shinji Yajima, Japan Society President Richard Wood, and Japan Foundation Center for Global Partnership executive director Sadaaki Numata. Everyone stresses the importance of people-to-people exchange for fostering innovation. CGP is one of Japan Society’s partners and supporters of the U.S.-Japan Innovators Network.

2:20 GOOD Magazine Co-Founder Max Schorr. ALTRUISM. The idea is to do good because you want to. GOOD wants to be in the middle space of pragmatic and idealistic. GOOD is not a binary proposition.

Max Schorr

Max Schorr

2:25 Core values of GOOD – Transparency, creativity, authenticity, utility and … Love. Work + Love = Great Things. Max came to Tokyo about two years ago and met Rosanne Haggerty. Business used to be about loss and profit. Now harm and social value have become important points on the value axis. Products and opportunities that get consumers what they want but also provide social value: The new Walmart?

2:35 GOOD: Working with businesses to improve the world. There are models were consumers and businesses can exist in the same space to create social value. “Right now we’re in this interesting space of triple bottom line – money, social value and environmental impact”. How do you scale authenticity -? How do you reach the masses? Max thinks Obama’s a move in the right direction. You have to make good in people’s self interest. One way is to get global by being locally contextualized.

2:40 And Max adds: “It’s crucial always to have a sense of humor.” “I don’t want to be part of your revolution if I can’t dance.”

2:42 GOOD Co-Founder and Creative Director Casey Caplowe. YOU+ US = GOOD

Casey Caplowe

Casey Caplowe

2:45 GOOD is a magazine, website – a lot of different things. For people who give a damn. Design isn’t just making things look cool but is about problem solving. Info graphics convey complex ideas. GOOD is a combination art project, problem-solving social networker, media machine. They’ve created a real community that’s collaborative and interactive.

3:10 Masaaki Ikeda, Creative Director, Tokyo Changemakers and Eco Plaza. The Evolution of Social Design in Japan. What is the future of social design in Japan? Japan lacks leadership – what does that bode for the future? Mr. Ikeda’s a bit older than Max and Casey. He talks about key people who influenced his journey. New Association Movement NAM – Sakamoto Ryuichi helped found this movement when he lived in New York. The start of social design in Japan? In 1997 the Kyoto Protocol and penetration of in the Internet had a big impact.

3:15 People where dancing in the streets in 1997. Kyoto Protocol – BIG BANG for the eco movement in Japan. NPOs started to spread in Japan after the Kobe earthquake. 1999 was a watershed year – THE YEAR OF SOCIAL ENTREPRENEURSHIP. “It was the first year we began to have a community currency.” NHK the broadcaster started to cover the idea of community currency. Michael Linton – LETS – Local Exchange Trading System. Ikeda’s magazine: KOKOKU. ADBUSTERS magazine. A Vancouver based anti consumerist magazine. An angry manifesto. “Fuck Committees”. FIRST THINGS FIRST.

3:25 “We should not waste our talent on frivolous products.” Ikeda was influenced by all this. Then he founded KOKOKU. Even money can be designed. “I wanted to make this the central concept of my magazine.” Read Michael Linton’s OPEN MONEY MANIFESTO. Make a community currency. “Money is just information…”. KOKOKU was in English and Japanese. There are seven issues and they were beautifully designed. “This magazine was a platform for social design activities.” DESIGN HAS THE POWER TO LEAD PEOPLE TO A BETTER FUTURE.

3:30 EARTH DAY. Bearded hippie throw-backs disbanded and brought in new blood. A NEW EARTH DAY 2001 with broader appeal. Rebirth Earth Day. Make every day Earth Day. Ikeda established Earth Day Money. 2002 – Candle Night. “We wanted to have an environmental movement that was global. Turn off the lights and light a candle and spend the night maybe praying”. Then came the “Sprinkling Water” campaign. Water on the pavement to cool down the earth.

3:40 Visit Eco Plaza. More trees bench? More trees design. It’s a system for reforestation. Japan has a lot of unattended forests. Ikeda: The forests need to be responsibly managed so they are sustainable. Cull trees, make useful products. And also tokyochangemakers. Venture capital, entrepreneurs.

Maasaki Ikeda

Maasaki Ikeda

3:55 Valerie Casey, Leader, Digital Design Experience, IDEO & Founder, The Designers Accord. IDEO – A quick look at five projects.

1. American Red Cross – Why I Give (Blood). Who gets the blood? That was the focus of the ads. “Unappetizing”. IDEO redesigned the ads. People had an emotional connection but a better campaign is to give voice to the blood donors.

Valerie Casey

Valerie Casey

2. Healthcare. How doctors perform, how nurses work. IDEO redesigned the EMERGENCY ROOM experience. IDEO looked at NASCAR – triaging cars, triaging people. Clusters of activities… little kits, how to better treat patients.

3. Nokia. ENGAGE gaming platform. Make a better game.

4. Bank of America. In bill paying, people would round up when paying their bills to the next dollar. IDEO opened savings accounts for people who did this to help people save. $10 billion have been saved since 2005, $1 billion from the rounding.

5. 1/3 work at IDEO is social impact. Kick-start pump in Kenya. A light weight water pump you can take on your bicycle. Pump goes 18 meters into the ground and brings water up from the water table. Helps farms sustain and make a living. Many users are women. Design intervention. Recovered materials used – Aesthetic design? “Probably the ugliest thing IDEO has ever made”. But utilitarian.

4:05 Foundation of IDEO. Design Thinking. Think about the PEOPLE, the BUSINESS and the TECHNOLOGY. Design can solve any problem. The magic is to start with the PEOPLE FIRST. Subtle human behaviors are the key. IDEO uses its network. That’s how to make great impact. Open source philosophy – successes and failures. Always balance money with what your heart wants to do. “We are designers who are accidently good business people”.

4:10 Valerie: We’re in the business of designing CONSEQUENCES. The ipod has become the shorthand for success. The tyranny of the ipod. One client: “I want the ipod of diapers”. Zone of control and zone of influence. You need to tap into the zone of influence if we’re going to have social impact. Not just the beginning of the cycle.

4:15 “Green” – “Sustainability” Where do you start? Boring? Too hard? Giant jellyfish off the coast of Japan. She shows a faked Photoshopped image of a huge jellyfish. But there are real grotesque stories. A dead albatross with plastic in its stomach. Plastic sitting in the bottom of the ocean. ALL THE PLASTIC WE’VE EVER MADE IS STILL WITH US. Our earth is a closed system.

4:20 Designers Accord: Sustainability = Environmental impact + social impact. Army ants marching to their death… but we aren’t ants. Designers can make a difference. Designers Accord focuses on personal and communal accountability. 1) People and Places. Design schools educate and go green. 2) Everyone in DA has a conversation about sustainability with every customer and client that walks in their door. 3) Everyone in DA agrees to share their resources, best practices, foibles, etc with everyone else … a virtuous loop. July 2007… 450 People, 3 Countries, 4 Disciplines….now 150,000 people, 100 countries, all disciplines.

4:25 DA = Co-Create. How about a solar powered coffee maker? Solar panels in the shape of traditional tiles. Publish your carbon footprint so you can see what it looks like. Ask people in a public space to hand crank a wheel to generate light to understand the energy needed to generate electricity. People wrap a design school in recycled paper with the word WRONG. Stop thinking of design as the design of THINGS ONLY. The Aquaduct Team. A bicycle for transporting water.

Paul Hawken: “A lot of people – including me – wish the problem would go away but once you see it, it’s impossible to unsee.”
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Q&A

How do you get people involved?

Casey: Spends his days thinking about this.
Max: This trip has re-energized us and meeting with greenz was very inspirational. Talked with Yugo Nakamura, the web designer and that was inspiring.
Valerie: Awareness does not always equate to action. That’s why the UN is failing; that’s why the Kyoto Protocol is failing. We need new models, different models than we have now.
Casey: I’ve learned that design, business, you have to view as means, not as ends. It’s the consequence, that matters. Self interest and the greater good – there’s a place where they overlap. Invent in THAT SPACE.

A question for Max: What is the definition of “designer”? And how does GOOD get income?

Max: I’m basic in my ability to create beautiful communications. But I do think of myself as a problem solver. GOOD revenue is advertising based.

A question for Casey: How do you maintain the quality of what you do?

Casey: It’s tapping into people who are doing the best work. GOOD layout and design is done by a small studio in NYC. Collaboration is key. Cherry pick the people who would be most fun to work with. We have a good project people want to be a part of. As GOOD grows, the community starts to create the content.

A question first to Valerie: In Japan I’m sure you met a of people, but give us something that impressed you about good design in Japan.

Valerie: People live so densely here with such civility. The architect Tsukamoto designs for small spaces. If design can make you want to live in a tiny 400 square foot space then it’s succeeding.

Casey: There’s a nice balance in Japan. Japan can be balanced and extreme at the same time.

Valerie: That’s a good point. In the US in many places it feel like the lowest common denominator. People in the US tend to speak down and not elevate the conversation.

Casey: We came here to talk about sustainable design. We always felt it had global importance. GOOD is largely focused in the US. So it’s amazing to hear similar ideas talked about here. What we thought was a global issue is definitively global.

(Daniel Rosenblum)

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